About Yulia Nazarenko
Yulia studied finances and economic theory in Voronezh State University in Russia and has a Master Degree in Economics. She has been making art and designing various objects throughout all her life, mostly for the personal enjoyment and use. In her nature she is an explorer, an architect and a pioneer of consciousness. Her main passion she sees in bringing to the manifestation New Potentials - be it in her human life by her own example or just by making them ‘available’ in a ‘unified field’ for anyone who is willing to receive.
Art is one of the her ways to ground potentials in a physical reality.
She currently resides with her beloved in the Netherlands.
My Way of Art
Art is an Expression of One’s Soul. An Energy Embodied in a form. A Tool to Reach the Beyond.
Art can be a contradictory matter to dwell upon. The perception of something that can be called Art or Fine Art is often very subjective. What is it that makes a painting or an art object to be worth of attention, praises and admiration? Is it an artistic skill, a concept manifested in an art piece, a story behind its creation or maybe a way in which it is performed to a public..? Undoubtedly, any of these elements can play an important role in an evaluation of the art piece by the experts or by the common audience.
Yet I believe the Key Element that makes Art ART is something Invisible and, in many regards, Inestimable - It is the ENERGY that is Embodied in an Art Object. No matter what kind of a technique or a concept an artist uses to create the object, he/she always conveys a message, a story, or a code, into it, and that can be ‘read’ between and beyond the lines, colors and forms - by the intuitive, preceding the thought, feeling part in us.
I love creating Abstract Art because of its ‘pure’ nature. It is the way to express One’s creativity unobstructed of rigid structures and rules. Free from easily recognised forms it evokes a unique to each individual associative flow and has the ability to penetrate through the stratums of the ‘mind’ into the depths of one’s Soul. The process affects both the artist and the observer. The ‘code’ of an artist as a ‘person’ is always present and yet is constantly transcended into something new by his conscious ‘effort’ to ‘break free’. The freer the quality of an expression - the more it is connected to the ‘Soul’, to the ‘Essence’, the more in-formation it contains and the more it is able to convey to the observer - becoming an invaluable instrument in expanding of one’s awareness.